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Mohamed Hamri
Mohamed Hamri (August 27, 1932 – August 29, 2000), commonly known as Hamri, was a self-described ''Painter of Morocco''.〔Le Matin du Sahara et du Maghreb,(Tangier, Morocco February 15, 2002)〕 He was a Moroccan painter and author and one of the few Moroccans to participate in the Tangier Beat scene.〔Obituary of Hamri from The Independent (London, October 19, 2000)〕
He was born in 1932 in Ksar-el-Kebir in northern Morocco. His father was a ceramics artist who painted his pieces following an ancient tradition. Hamri's mother was born into the Attar family of Zahjouka musicians. His uncle was the leader of the Master Musicians of Joujouka.〔Clandermond, Andrew, MacCarthy Terence, ''Hamri the painter of Morocco '', (Tangier,2004)pp 1–3,〕
Hamir is father to Sanaa Hamri, the first Moroccan woman to direct a Hollywood movie.
==Career==
Hamri helped the Master Musicians of Joujouka survive by bringing them to Tangier to play. In 1951, writer Paul Bowles met the 18-year-old Hamri at Tanger train station. He later met the painter Brion Gysin—inventor of The Cut-up technique—who tutored him and introduced him to modern European painters. Gysin and Hamri had a joint exhibition in 1952. After Hamri introduced Gysin to the Zahjouka village, Gysin became a lifelong promoter of the Sufi trance master musicians who lived there. Together with Gysin, Hamri set up the "1001 Nights Restaurant" in Tangier with Hamri as cook and where Gysin employed the Master Musicians to play.〔Greene, Michelle, "The Dream at the End of the World", (New York, 1991), p.123, p.201〕 In 1958 Gysin bought out Hamri's interest in the restaurant for $10,000 but he soon lost the restaurant himself.〔Greene, Michelle, ''The Dream at the End of the World'', (New York, 1991), p.201〕 He soon opened a new ''1001 Nights'' in Asilah—40 km south of Tangier—where he first met Brian Jones and subsequently brought him to Zahjouka.〔Clandermond, Andrew, MacCarthy Terence, ''Hamri the painter of Morocco '', (Tangier,2004), p.9〕
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